In memoriam

Katyayani ‘Shankar’ Bajpai 1928-2020

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Shankar didn’t make it. He breathed his last yesterday afternoon, 30 August 2020. He fought hard and even wrote a note to Meera about the wrong tea having been served. He didn’t drink tea, he was a coffee drinker… and couldn’t drink through the oxygen mask he needed to breath.

Shankar was a wonderful godfather. He held me at my christening in the Emmanuel Episcopal Church in Geneva, introduced me to the Tibetan Buddhist world in Sikkim, and has enabled my life as a Buddhist monk in India for over 35 years. He truly cared for me and never tried to fiddle with my overall aims in life.

Shankar lived in his own unique world, composed of diverse cultural references. He had been a member of the Oxford Film Society with John Schlesinger, discussed tweaking India’s national anthem with Zubin Mehta, swapped culinary techniques for perfecting his quenelles with Claude and André Terrail, and strategized about world order with his pals Henry Kissinger and David Rockefeller. His knowledge was profound, its tentacles vast. And his intelligence, the wisdom that processed all this information, was nimble to the end.

Though Shankar was predominantly Indian, he was a fish out of water within its culture. His references were not Indian, and yet he cared deeply for his country. There seemed, sometimes, to be a pain about this, though he enjoyed the comforts it provided, and served it to the end.

Photographs by Nicholas Vreeland

A quiet afternoon in the presence of the Buddha.

Preparing for a dinner party.

Overlooking the cooking.

Arranging a bouquet.

Just a drop more vermouth.

Content with Meera.

Shankar respected his colleagues, as long as they were bright. He had little time for ‘asses’ but was surprisingly accepting of the pace of bureaucracy; he understood it as a given to be worked around, which he did with skill and perseverance.

It feels strange to be writing about Shankar in the past tense. He is, and always will be, part of my life here in India, my life in general. Thank you, Shankar, for all you have done for me. I don’t know what you thought of my life. I don’t know what you believed had caused us, had brought about existence. You never seemed to probe these matters. A good meal, a good wine, a good opera, were all more important.

And yet, though you cared deeply about your own enjoyment of these things, you wished to please and to bask in the delight of others.

Dear Shankar, I shall miss you.

Nicholas Vreeland

Buddhist monk; Abbot of Rato Monastery, Mundgod, Karnataka

 

FELLED by covid, because probably nothing else could. At least, that is what we tell ourselves in the family.

Shankar’s last communication that I was privy to is a picture of him in the ICU: a mask covered his mouth and nose, and in his hand he held up a note complaining that his tea had not been made quite the way he liked. Love of things gustatory, to the end.

His colleagues knew him as the consummate professional, but what we in the family remember him most for was love of family – his wife Meera, his sons, and his grandchildren and his large extended family. He always made time for family. I mention it because it captures the capaciousness of his existence, which few of us can match.

Shankar had a deep love of country and of his vocation, diplomacy. Towards the end, he loved his country less – or more correctly, what he saw happening in his country. At evening gatherings at home, he would turn the conversation to the state of the nation and as we rehearsed the same sad reflections about India, he would turn his marvellously expressive eyes heavenwards. Which said it all.

His love of diplomacy was consuming, and it never faltered. Max Weber famously wrote an essay on politics as a vocation. I think Shankar could have written a fascinating and erudite essay on diplomacy as a vocation. In fact, I have a sneaky feeling that the thought occurred to him a long time ago and he probably composed it in his head several times.

This tribute is really about Shankar as a diplomat and his diplomacy. His friends and colleagues have very graciously written and tweeted about him after his death – the bon vivant, the great host, the chef (he said he had always wanted to be an architect, like his elder brother, Durga, but his soul was gastronomic), the sophisticate, and India’s top man in Sikkim, Islamabad, Beijing, and Washington. The portraits are true and correct, and I won’t rehearse those attainments except to make a larger point about his conception of diplomacy.

For me, three things stand out about him as a diplomat and the diplomacy he embodied. The first is that he was a Realist. He understood the place and sometimes the uses of international institutions and norms, but he insisted that the play of power between countries was fundamental and determinative. Over and over, he would tell me that Delhi had simply not understood the centrality of power – what it is, where it comes from, how it is to be used. And for its incomprehension, it paid the price. Repeatedly.

Where did Shankar’s Realism come from? Given his affection for the United States and his regard for American intellectuals, you would think it came from the country that was almost a second home for him. In fact, his Realism can probably be traced to Europe.

His father, Girja Shankar Bajpai, the first head of India’s foreign service, and the only person in the bureaucracy who could and sometimes did challenge Nehru’s views, was a great inspiration for Shankar: Girja was the Realist foil to Nehru’s Liberalism. I remember Shankar telling me that despite Girja’s Oxford and America days (he represented India in Washington from 1941 to 1946), his father’s Realism came from his reading of French diplomatic history.

Shankar also greatly respected Henry Kissinger and came to know him personally. In 2018, during a trip Kissinger made to India, he dined with Shankar. If Shankar became a purveyor of Kissingerian Realism – and I think he did – that brand of Realism had European provenance too. We should remember that the former US Secretary of State was German by birth and wrote his doctoral dissertation on European diplomacy during the Concert years, from 1815 to 1914. Kissinger admired the German statesman Metternich, the astute Realist of continental Europe, and his subtle balance of power approach to Europe’s geopolitics.

To finish the thought about Shankar’s European-ness. He was good friends with one of the legends in the academic field of International Relations, Professor Kenneth Waltz. Many years ago, Waltz came to Delhi, and Shankar invited him to lunch. He also invited me to that lunch. Waltz indulged me on my quarrelsome views on nuclear proliferation – he was the author of a famous essay on proliferation – and Shankar let me monopolize him on the subject for a while. Then the conversation turned, but not to the theory of international politics. In the flowing discussion that followed – the substance of which I cannot recall – Indian foreign policy and Asian security were the centrepiece. Shankar’s friendship with Waltz did not make him theoretically inclined, and it did not turn him into a votary of his academic friend’s rather arid and sparse Structural Realism.

The second defining feature of Shankar as a diplomat was that he was a stylish and subtle representative of India. His colleagues have written about him as a bon vivant, as a gourmand in his love of food and setting a fine table, as knowledgeable about English and American literature and being au courant with the latest in the world of arts and letters, and as an articulate and charming conversationalist.

All that is true, but the important thing is that these qualities were intrinsic to his diplomacy. One’s interests and passions were not mere accoutrements. They were not affectations. It was not enough to know your brief and every nuance of your country’s position on various matters. A diplomat operated in the world at large. He or she had to be worldly, to be in the world in its totality, to know it in its complexity, its dangers, its beauty, its passions. A diplomat, especially top-level diplomats, had to be able to connect the dots across disparate fields and to demonstrate this to foreign interlocutors.

Shankar rarely if ever criticized Indian diplomats, seniors, peers, or juniors. But now and then he would roll his eyes and half-jokingly comment on an erstwhile colleague who typified the dour, the narrow, and the mechanical in diplomacy. Not for him the hard-nosed charmless technician, the coldly professional diplomat who had no other strings to his or her bow: not because he was a Lutyens’ Delhi snob, but rather because the narrow professional approach to India’s diplomacy was too limited. It is not of course the case that Shankar was the only Indian diplomat that exemplified this approach. But he was an, if not the, exemplar of that school in the Ministry of External Affairs.

Perhaps another way of describing Shankar’s view is that the man or woman is the message. He was convinced that the seemingly superficial in diplomacy was not superficial at all. The way a diplomat dresses, speaks, dines, decorates his home, and converses is a powerful form of communication. Any diplomat can rattle off his or her brief and hector and lecture the other side. But not every diplomat can convey that the country he or she represents is sophisticated, mature, and creative, and that it can play its cards with nuance and care.

Finally, Shankar’s diplomatic approach was marked by an open stance, a receptivity to ideas even if they contradicted his. He was willing to change his mind, alter course, and listen to others. Listening: senior Indian officials are not exactly famous for their attentiveness. Most of the time, like India’s politicians, they know the answers before they have been asked the question. At family gatherings, we always remarked that Shankar could connect to the youngest person in the room – because he listened. He did not talk at young people. He was formidable and could be intimidating, but he also listened, and he enjoyed an intellectual tussle with whoever it was, young or old. He was not dismissive. Some of the leading lights of the Indian foreign service worked under him – and they were not wallflowers: Sati Lambah, Mani Shankar Aiyar, Sudhir Devare, Hemant Kumar Singh, and Subrahmanyam Jaishankar served under him.

Shankar is gone. There are only a few foreign service officers who have outlasted him: Perhaps an era of Indian diplomacy is closing. What these figures brought to the conduct of India’s external relations is worth remembering if not cultivating for the future. Shankar’s Realism, his cultural sophistication, and his intellectual openness stand out. He and his like will be missed as India confronts a time of many and dangerous challenges.

Kanti Bajpai

Wilmar Professor, Asian Studies at the Lee Kuan Yew School of Public Policy,

National University of Singapore

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